Jules de Balincourt
Untitled, 2007
oil and spray paint on panel
62 x 76 inches (157.5 x 193 cm)

Provenance
The artist
Zach Feuer Gallery, New York

Exhibited
“Jules de Balincourt,” Vanderbilt University Fine Arts Gallery, Nashville, TN, October 23 - December 5, 2008
“Futurescape,” Contemporary Art Galleries, University of Connecticut, Storrs, CT, October 26 - December 4, 2009

Illustrated
“Futurescape,” Contemporary Art Galleries, University of Connecticut, Storrs, CT, October 26 - December 4, 2009
Agostino Bonalumi
Bianco, 2011
shaped canvas and acrylic
51.2 x 39.37 inches (130 x 100 cm)

Details
archive number 11-034

Provenance
The artist

An Archivio Bonalumi Photo-certificate of Authenticity signed by curator Fabrizio Bonalumi accompanies the sale of this work.
James Brooks
Lantella, 1982 
acrylic on canvas 
60 X 48 inches (152.4 X 121.92 cm) 
signed at lower right: J. Brooks 
Private collection 

Provenance
James Brooks, East Hampton, NY 
Gruenbaum Gallery, New York, 1983 
Private collection, NJ (purchased from the above in 1983)
Elinor Carucci
Eran and I, 1998

Chromogenic print
30 x 40 inches (76.2 x 101.6 cm)
Number 4 from an edition of 8 
Signed, titled, dated and editioned on verso

Provenance
The artist
Houk Gallery, New York

Exhibited
Elinor Carucci, September 7 - October 21 2006, Houk Gallery, New York     

Illustrated
Closer (San Francisco: Chronicle Books, 2002), cover
Dawn Clements
Hyacinths, Rome, 2011
Sumi ink on paper
63 X 87 inches (60 X 221 cm)
Private collection
Gregory Crewdson
Untitled (Worthington Street), Winter 2006
Archival inkjet print
Edition 2/6, from an edition of 6 and 2 Artist's Proofs
C15576

Provenance
Luhring Augustine, New York, USA

Exhibitions
“Gregory Crewdson” April 5 – May 3, 2008, Luhring Augustine Gallery, New York, U.S.A
“Gregory Crewdson” April 23 – May 24, 2008 White Cube, London, England
“Gregory Crewdson” May 3 – Saturday, June 7, 2008 Gagosian Gallery, Beverly Hills, U.S.A

Bibliography
Beneath the Roses, essay by Russell Banks (New York: Abrams, 2008), cover illustration, plus illustrated and cataloged.
Dadamaino
Lettera - 1 dicembre 79, 1979
ink on paper
14.17 x 9.055 inches (36 x 23 cm)
Private collection

Provenance
The Artist

Details
signed and dated on verso
Calixte Dakpogan
Chef de la gare, 2010
plastic, aluminum, glass, iron
18 x 9.6 x 7.1 inches (48 x 24.5 x 18 cm)

Provenance
The artist
Magnin-A Gallery, Paris

A Certificate of Authenticity by Magnin-A accompanies the sale of the work.
Richard Diebenkorn
Untitled c. 1981
Gouache on paper
19 X 25 inches (48.3 X 63.5 cm)
RD 2326
Private collection

Provenance
Estate of the artist
Private collection

Exhibited
New York, "Richard Diebenkorn, Works on Paper: Ocean Park, Clubs & Spades," Artemis Greenberg Van Doren Gallery, April 28-May 29, 2004, catalogue plate 6.
Moira Dryer
Big Mother, 1988
casein/grommet/wood
99 X 48 inches ( 251.46 X 121.9 cm)
accompanied by the note: "Memorandum from Moira Dryer for Installation and Handling of Big Mother, 1988)

Provenance
The artist
Mary Boone Gallery, New York

Exhibited
"Moira Dryer", Mary Boone Gallery, New York, January 6-27, 1990
Ruth Duckworth
Mama Pot (Brown and Green), c 1968-72
stoneware
height 14 inches (35.6 cm)

Provenance 
Estate of Mr. Leo Herzel, Glencoe, Illinois
Angela Dufresne
Isabelle Huppert in Mirror Just Before She Doesn't Have Sex with Saint-Genis from La Truite, 2005
oil on panel 
16 x 20 inches (40.6 x 50.8 cm)

Provenance
Miller/Block Gallery, Boston
Brian Finke
Sara, Icelandair, 2006 
Chromogenic color print
40 x 40 inches (101.6 x 101.6 cm)
print number 2 of an edition of 7
Signed, dated, and numbered (2/7) on label, verso

Provenance
The artist
Clampart, New York

Exhibited
“Brian Finke, Flight Attendents”, February 21 – March 22, 2008, Clampart Gallery, New York

Bibliography
Flight Attendants, Brian Finke, Powerhouse Books, 2008, cover illustration
Fernand Fonssagrives
La Plage de Cabasson (Lisa Fonssagrives), 1936
gelatin silver printer
12 x 10 3/4 inches (30.4 x 26 cm)
Private collection
Helen Frankenthaler
Monotype 7, 1989
hand-painted acrylic, watercolor and pastel monotype on paper
sheet formed from Guadalupe copper plate matrix
69 3/4 x 46 inches (177.2 x 116.8 cm)

Signed lower right:  Frankenthaler
Published by the artist
Paper made by Luis Remba, Mixografia, Los Angeles
Private collection

Provenance 
Andre Emmerich Gallery, New York
Rosa Esman Gallery, New York
Private collection, Arizona

Illustrated 
Helen Frankenthaler: Catalog Raissone of Prints by Pegram Harrison. Pub. Harry N. Abrams, 1996. Illustrated in color, page 416, no. 161 (listed as Monoprint VII, medium noted as "hand additions in pastel."
Luigi Ghirri
Capri, 1980 
vintage C-print
16.1 x 10.2 inches (41 x 26 cm)
Private collection

Provenance
The artist
Giulio Bizzarri
Collection Alessandro Dalai

The work is accompanied by a photo-certificate.
Merlin James
Welder, 2001 
acrylic on canvas 
14.9 x 16.9 inches (38 x 43 cm) 
 
Exhibited
“Merlin James: Artist from Wales,” the 52nd International Art Exhibition, Venice Biennale, June 10 to November 21, 2007
 
Illustrated
Merlin James, Wales at the Venice Biennale,”  The Arts Council of Wales, (Wales: Chapter, 2007), illustrated in color, full page
Yun-Fei Ji
Untitled Empty City Study, 2003
Graphite and colored pencil on paper
9.5 x 6.5 inches (24 x 16.5 cm)

Provenance:
Pierogi Gallery, Brooklyn, NY

Exhibition History:

Yun-Fei Ji: The Empty City, The Rose Art Museum, September 7th to December 12th, 2004
Jacob Kassay
Untitled 11, 2011
silkscreen on archival newsprint
24 5/16 x 27 inches (61.75 x 68.58 cm) framed
edition 2 of 5

Provenance
The artist
Independent Curators International, New York
Edward Kay
Untitled (Boot), 2007
Oil on canvas on panel
20 7/8 x 14 3/4 inches (53 x 37.5 cm)
Seydou Keita
Portrait of a Young Man, printed in 1998
gelatin silver print
16 x 20 inches (40.6 x 50.8 cm)
Private collection

Details
signed and dated by the photographer

Provenance
The artist
Scalo, Zurich/Berlin/New York

Illustrated
Seydou Keita by Andre Magnin (Scalo, 1997), plate 5
Joseph Kosuth
No number 001 (violet), 1989
neon mounted directly on wall
7 1/2 x 19 inches (19 x 48.2 cm)

Provenance
Private Collection
The work was acquired directly from the artist

The work is accompanied by a photo-certificate.
Lee Krasner
Water No. 2  (CR 508), 1968 / 1969
gouache on Douglas Howell paper
18 x 22 inches (45.7 x 56 cm)

Details
signed and dated at lower right: Lee Krasner ’68

Provenance

Collection of the Artist, East Hampton, NY
Pierre Riches, Italy (Acquired directly from the artist.)
acquired directly from the Artist

Exhibited

Marlborough Gallery, New York, NY (label verso, dates unknown) 

Ashawagh Hall, East Hampton, NY, dates unknown

Bibliography 
Ellen Landau, Lee Krasner: A Catalog Raisonné, Harry N. Abrams, Inc. 
New York, 1996
Listed in the publication as CR 508 on page 254
Illustrated in color on page 255
Kwakiutl
Ceremonial skull 
wood with pigments 
7.75 inches (19.7 cm) 

Provenance
Andy Warhol
Sothebys, The Andy Warhol Collection, December 1988

Illustrated
Possession/Obsession: Andy Warhol and Collecting, p. 118
Gillian Laub
Aliza at Friends Memorial, Tiberias, Israel, 2002
Chromogenic Print
20 x 24 inches (50.8 x 60.96cm)
Signed, titled and dated on verso
Number 7 out of an edition of 8

Provenance
Bonni Benrubi Gallery, New York, NY

Exhibited
“Common Ground”, Bonni Benrubi Gallery, New York, NY

Bibliography
Gillian Laub: Testimony, Aperture, 2007
Norman Lewis
Countless Upward, 1959
pastel and ink on paper
24 x 17 ¾ inches (61 x 45 cm)
signed and dated lower right: Norman Lewis 59
Private collection
 
Provenance
The artist
Willard Gallery, New York, NY
Mr. and Mrs. Frank H. Porter Trust, Cleveland, OH (acquired from the above in 1959)
Christies, New York
Sol LeWitt
Splotch, 2005
Acrylic on fiberglass
68 x 68 x 68 inches (173 x 173 x 173 cm)
Signed, lower right: LeWitt
Provenance 
The artist
Margo Leavin Gallery, Los Angeles
Exhibited 
"Sol Lewitt: Sculptures and Gouaches," Margo Leavin Gallery, Los Angeles, 12 November 2005 to 7 January 2006
A photo-certificate accompanies the work.
José Lerma
With Winter Hat and Chewing, 2003
oil and charcoal on canvas
67 x 50 inches (170.18 x 127cm) 

Provenance
Andrea Rosen Gallery, New York

Exhibited
“Jose Lerma,” Andrea Rosen Gallery, New York
Sally Mann
Untitled, Deep South #22,
silver gelatin enlargement print, toned with tea
37¼  x 47 inches (94.6 x 119.3 cm)
print # 5 of an edition of 10

Provenance
Edwynn Houk Gallery, New York, NY

Illustrated
Deep South (Bulfinch Press), 2005
Robert Mangold
Column Structure XIII, 2007
acrylic and black pencil on canvas 
120 x 48 inches (304,8 x 121,92 cm) 
Private collection 

Provenance Galerie Greta Meert, Brussels, Belgium 
Exhibited
“Robert Mangold: Column Structure Paintings,” 2007, Galerie Greta Meert, Brussels
Cameron Martin
Fist and Fingers (study), 2005 
acrylic on canvas 
50 x 75 inches (127 x 190.5 cm) 
Private collection

Provenance
Greenberg Van Doren Gallery, New York 

Exhibited
“Focus 3, Cameron Martin”, June 1 – October 1 2006, Philbrook Museum of Art, Tulsa Oklahoma 

Illustrated
“Focus 3: Cameron Martin,”  (Tulsa: Philbrook museum, 2006), illustrated in museum catalogue and verso of museum announcement
Herbert Matter
Two Transparent Leaves, c. 1945
silver gelatin print
11 x 14 inches (28 x 35.5 cm)
Julie Mehretu
Untitled, 2005
graphite on paper, Arches 3
22 3/8 x 30 inches (56.8 x 76.2 cm)
Private collection

Provenance
The Project, NY

Exhibited
The Project, Miami/Basel Fair, December 2006

Illustration
Julie Mehretu, Drawings (New York: Rizzoli, 2007)
with forward by Thelma Golden, plate 53, p. 109,
catalogue entry in p. 175
Carlo Mollino
chair, 1953
from the Casa del Sole, Cervinia
oak, brass
14.96 X 18.5 X 37.01 inches (38 X 47 X 94 cm)
Private collection

Provenance
Barry Friedman, New York
Otis Taylor, Boulder, CO
Private collection

Literature
The Furniture of Carlo Mollino, Ferrari and Ferrari, pg. 205
Carlo Mollino: Catalogo dei Mobili, Colombari, pg. 54, fig. 84
Il Mobile Italiano degli Anni ‘40 e ‘50, Laterza, pg. 214
Rodolfo Morales
Rodolfo Morales
Untitled, c. 1969
oil on board
9 x 13 3/8 inches (22.8 x 33 cm)

Provenance 
El Sol Y La Luna, Oaxaca, Mexico(Acquired from the above in 1988)

Exhibited 
El Sol Y La Luna, Oaxaca, Mexico, 1988
Jan Muller
Untitled (Equestrian), 1956
oil on paper mounted on board
22 1/2 x 18 inches


Provenance
The artist
Private collection, Provincetown, MA
Takashi Murakami
Takashi Murakami
Flower of Joy - Madagascar, 2007
acrylic and platinum leaf on canvas mounted on board
15 1/2 inch diameter (39.37 cm) 
Private collection
Provenance 
The Artist
Gagosian Gallery, New York
Private Collection, St. Louis
Exhibition 
"Takashi Murakami: Tranquility of the Heart, Torment of the Flesh - Open Wide with Eye of the Heart and Nothing is Visible," Gagosian Gallery, New York: May 1 - June 9, 2007
Jules Olitski
Goddess Blood, 1965
acrylic waterbase
6'10 x 27 inches (208.28 x 68.58 cm)
Private collection

Provenance 
The Artist
Poindexter Gallery, New York
Collection of the late Kermit Champa and Judith Tolnick Champa

Details
Signed and dated by artist on verso: 6’10 x 27”/Jules Olitski/1965/Goddess Blood/Acrylic–Waterbase
14 inches encircled on the upper middle right verso


Exhibition History
Poindexter Gallery, New York, 1965
San Francisco Museum of Art, September 26-November 5, 1967
Alfonso Ossorio
Untitled, c. 1960
Watercolor, ink and crayon on paper
14.4 x 18.3 inches (36.5 x 46.5 cm.)

Provenance
The artist
Father Pierre Riches, Italy (acquired directly from the artist)

Details
Signed on the verso: "For Father Pierre Riches/ From Alfonso Ossorio, East/ Hampton June 1960" in pencil
"#11, 26/10/88 temporary" written on masking tape. 
Paul Pfeiffer
Four Horsemen of the Apocalypse (11), 2004
digital fugiflex
69 x 57 x 3 inches, (175.26 x 144.78 x 7.62 cm) framed dimensions
edition 5 of 6
PP0243.04

Private collection

Provenance
The Project, New York

Exhibited
The Project, New York
Gagosian, New York

A certificate of authenticity accompanies the work.
Larry Poons
Larry Poons
Untitled, 1974 
Acrylic on canvas
81 1/2 x 57 1/2 inches (207 cm x 146 cm)
Private collection

Provenance 
The Artist
Knoedler Contemporary Art, New York
Collection of the late Kermit Champa and Judith Tolnick Champa

Details
Signed on verso “1974 L Poons”
 

Exhibition History
"1900 to Now: Modern Art from RI Collections” Jan. 22-May 1, 1988
Bernd Ribbeck
Untitled, 2006
Acrylic and ballpoint pen on board
15.75 x 17.75 inches (40 x 45 cm)
Private collection

Provenance
Galerie Kamm, Berlin, Germany
Tristano di Robilant
Double Amber, 2010
Glass
22 1/2 x 13 x 13 inches (57 x 32 x 32 cm)

Provenance
The artist
Dorthea Rockburne
Untitled, 1973
pencil on folded paper
29.9 x 39.7 inches (76 x 101 cm)
Signed and dated on lower right: “Rockburne 73/1/7” 

Provenance
The Artist
Galleria Cesarea, Genova
Collezione Consolandi, Milano

Bibliography
“Arte U.S.A. nelle Collezioni liguri 1970-1990”, Galleria Cesarea-Arte, Genova, Maggio-Giugno 1992, page 34 (illustrated)
Christoph Ruckhaberle
Untitled, 2007 
oil on linen 
20 x 16 inches (50.8 x 40.64 cm) 

Provenance
Zach Feuer Gallery, New York, NY
Shirana Shahbazi
From the Series Farsh
(Farsh – l5 – 2006)
hand woven carpet, wool
50.4 x 38.2 inches (128 x 97 cm.)
edition 2 of 3 + 1 AP

Provenance
Bob van Oursow Gallery, Zurich
Stephen Shore
James Siena
Untitled Blue-Black, 2000
line etching
Hahnemühle warm white paper
paper size: 26 3/4 x 22 1/4 inches (68 x 56.5 cm)
image size: 19 1/8 x 15 inches (48.6 x 38 cm)
edition 21/28

Provenance
Harlan & Weaver, Inc., New York, NY
Larry Sultan
Boxers, Mission Hills from The Valley, 1999
color coupler print 
30 x 37 1/2 inches (76.2 x 95.3 cm) 
number 9 of an edition of 10

Provenance
Stephen Wirtz Gallery, San Francisco

Details
Signed on ink on the reverse of the flush-mount: signe din ink. Printed title, date and number 9/10 on a gallery label affixed to the reverse of the flush-mount


Exhibited
“Larry Sultun The Valley”, Stephen Wirtz Gallery, San Francisco, January 22 - February 22 2003

Literature 
Larry Sultan, The Valley, Scalo Verlga, June 2004, p.49
Mark Di Suvero
Nex Two, 1987
steel sculpture
77 1/4 x 72 x 55 inches (196.21 x 182.8 x 139.7 cm)
Private collection

Provenance
The artist
Tasende Gallery, La Jolla, CA (purchased directly from the artist)

Exhibited
“Sculpture.” Galerie Lelong, New York, October 29-December 5, 1987
“Tasende Gallery 10th Anniversary Exhibition” Tasende Gallery, June 1989, cat. No. 33, color illus. pg. 23. Exhibited outdoors in association with the Art in Public Spaces: Prospect Street Project.
West Hollywood, CA, Tasende Gallery, “The American Way”, April 21-June 8, 2001.
“Molded, Folded and Found”, Greenberg Van Doren Gallery, New York, October16-December 23, 2008

Bibliography
“Molded, Folded and Found”, Greenberg Van Doren Gallery, New York, October16-December 23, 2008. Index, page 10, full page color illustration page 11.

A photo-certificate accompanies the sculpture.
Miroslav Tichy
Untitled, undated (ca 1950s – 1980s)
black and white photograph, Artist’s frame
12.2 x 8.75 inches (31 x 22,2 cm)
TICH0233

Provenance
Arndt and Partner, Berlin, Germany

The work is accompanied by a photo-certificate
Wolfgang Tillmans
Freischwimmer 102, 2006
C-type print
94 ½ x 70 7/8 inches (240 x l80 cm.)
edition  1/1 plus 1 AP
Private collection

Provenance 
Maureen Paley Gallery, London

Exhibited 
“Wolfgang Tillmans, Bali” Kestnergesellschaft, Hannover, Germany, 16 February to 6 May, 2007
Richard Tuttle
Untitled, 1975
watercolor and china ink on paper
13.8 x 10.6 inches (35 x 27 cm)

Details
Inscribed on verso: #16 52 1/2  center / center of wall and center of drawing are matching at 52 1/2 inches from the floor / Richard Tuttle 1975

Provenance  	
The Artist
D’Alessandro - Ferranti Gallery, Rome, Italy

Exhibited
Richard Tuttle, Galleria Ugo Ferranti, February 8 - March 10, 1975
Rebecca Warren
Gilbertine, 2007 
Painted reinforced clay, painted MDF plinth 
39.3 x 27.5 x 31 inches (100 x 70 x 79 cm)

Provenance
Galerie Max Hetzler, Berlin

Exhibited 
“Rebecca Warren, Come Helga, This Is No Place For Us,” June 02 to July 14, 2007”
Galerie Max Hetzler, Berlin, Germany

A photo-certificate accompanies the sculpture
John Waters
Liz Taylor's Hair and Feet, 1996 
Chromogenic prints, ed. of 8 
47 1/2 x 49 1/4 in. framed (120.65 x 125 cm) 
Private collection
Francesca Woodman
Francesco Woodman
Christiano, 1977-78
blue china ink on vintage gelatin silver print
7.08 x 9.45 inches (18 x 24 cm)
Private collection

Provenance
The artist
Giuseppe Casetti Collection, Rome, Italy

Exhibitions
"Francesca Woodman: Immagini," Libreria Maldoror, March 20 - 30, 1978, Rome, Italy
"Francesca Woodman a Maldoror," Libreria Giuseppe Casetti, December 6, 1995 - January 16, 1996 Rome, Italy
"Francesca Woodman: Providence, Roma, New York," Palazzo delle Esposizioni, February 2 - March 27, Rome, Italy
"Francesca Woodman," Libreria Giuseppe Casetti, May 15 - 21, 2003, Rome, Italy
"Francesca Woodman photographs 1977-1981," Libreria Giuseppe Casetti, May 23 - June 19, 2011, Rome, Italy

Literature
Francesca Woodman: Providence, Roma, New York, (Rome: Castelvecchiarte, 2000) 
reproduced in color p. 105
Francesca Woodman, Roma 1977-1981, (Rome: Agma Publishing, 2011)
reproduced in color, p 8, index #8, p 120
Kohei Yoshiyuki
Untitled, 1971
From the series, The Park
Gelatin Silver Print
16 x 20 inches (40.64 x 50.8 cm)
Signed, Numbered, and Stamped in ink on Verso
Edition 8 of 10 + 3 Artist’s Proofs

Exhibited
The Park, September 6 to October 20, 2007, Yossi Milo Gallery, New York, NY

Illustrated in 
Kohei Yoshiyuki, The Park, Hatje Cantz
and Yossi Milo Gallery, 2007, Plate 31